The One About Skinned Knees, Distractions and Absent Lovers

Two decades ago I barged into a class and under the scrutiny of fifty pairs of eyes that had turned towards the door, I tripped and fell. I didn’t pause for a single second on the ground, and dashed towards my desk, trying to overlook the classmates who sniggered. And it was only when the teacher shrieked ‘Your socks are soaked with blood!’ I looked down at my bloodied knees. The wounds gaped wide enough to require sutures but I was too preoccupied with my embarrassment to feel even the slightest stab of pain. As everyone fussed over my injury, caressing my head, and offering me a glass of water, I felt the pain in my legs explode. That’s what I remember from that day. If you don’t dwell on it, the hurt is negligible. I took to suppression as a coping mechanism against injuries and setbacks; I don’t conceal or run away from hurt, but face it with an essential detachment, like events unfolding in the life of a close acquaintance where I have a ringside view of everything but I am spared the pain. I don’t dwell on the ground to look at my bleeding knees.
February was tough. I lost a sister, an important plan fell through, a close friend disintegrated into depression, and I witnessed (and still witnessing) a career-related legal drama. If I allow myself to take it in all, the chaos would choke me. But over the years, my mind had adapted to detach and distract itself from the dreams that crumble, the people I lose or the ennui of everyday existence, filing them away in neat little cabinets. Life is too short to mourn about what happened and what didn’t. I am yet to be loved; I am yet to achieve my goals. There are so many places I haven’t visited yet; there are so many books I haven’t read yet. I go from one day to the next, concentrating on what is and what would be. The past can’t be crammed into my life.
I extrude the unpleasant by replacing it with small moments of pleasure. A day after my elder sister died, I felt guilty about the happiness that bubbled up in my chest on seeing the new and vivid bougainvillea blossoms near my home. On the days when love disheartens me, I write about love. I read wherever and whenever possible. The calming monotony of laps in the pool or feet pacing on a long walk is something else that I look forward to. My ambition had blunted in the recent years, and I am trying to revive it; but all the while reminding myself that it is just a job. I am not one of those revoltingly joyous and perky individuals brimming with optimism, but I refuse to drown in despair too. Life is just normal; sometimes I create my own happiness, and sometimes it creeps in unexpected.
 
I take solace in the unusual; even the absent lover has a peculiar charm. It can sometimes morph into a constant and subtle longing for him to witness the world with me, to witness me, to let me witness him. These are the moments when I walk about interposing minutiae of my idea of him into the world around me, blending the two seamlessly. Today I drove to IITG and spent few delightful hours walking the large green grounds and catching up with old friends. All throughout I carried him around to hear that song on the car radio, to see that lone black bird on a tree with red blossoms, to be enthralled by that sunset over the vast river, to hear the conversations I had, or to laugh over my hair fanning out weirdly in the wind. Sometimes an intangible absence makes me feel more alive to the world than the tangible objects that crowd it.

Where is a good crow when you want to follow one?

A bowl of crisps, rain outside my window, a soft bed and the cinematic pursuit of five nights.
The Color of Paradise (Iranian): A blind boy gifts his grandmother a green hair clip and she lovingly pins it onto her dress, the sisters accept a necklace made out of tin bottle caps and a comb; treasuring the gifts of love thoughtfully selected by one who couldn’t see them. Traipsing around the Iranian countryside, Mohammed’s life is colored by the same joys that occupy the lives of ten year olds. He wonders what lay beyond the forest he couldn’t see but knows is near. He is exasperated by the questionable reading skills of the boys of the local school. His fingers move fast across the notebook in Braille as a curious teacher looks on, and the same fingers study the rhythms of nature. He wonders what the birds talk about, and the call of the woodpecker fascinates him. He touches his sister’s face and is amazed at how much she has grown up in the past year. He adores his grandmother and craves his father’s acceptance and love. He has his moments of grief, breaking down the wall of joy and self-reliance he has created so painstakingly. He doesn’t expect much from this world, but his father does from him. The man’s insistence on a ‘normal’ life free of responsibilities of taking care of a blind child, and hopes of getting re-married bring about a slew of personal tragedies abruptly overthrowing the veiled paradise he inhabited but failed to recognize. It’s a cornerstone of cinematic excellence, yet the end left me in dismay.
My Neighbours, the Yamadas (Japanese): Pimple-faced, overtly self-conscious and perpetually lazy teenager, Noboru, receives a phone call from a girl. Now, that’s a first in his life and also in the family’s collective set of events. Grandmother, mother and sister lives up to their uncontrollable levels of curiosity and eavesdrop shamelessly on the phone conversation.
Grandmother: “Does he have a girlfriend? With his looks?”
Mother: “A real girlfriend?”
Sister: “His face is red!”
Boy tackles the huddle of curious women with a few menacing glances, they cower away. He rushes back to his room.
Mother: “You insulted him, Mother!”
Grandmother: “And you are the paragon of motherhood!!”
 The movie is filled with vignettes of the life of a middle-class family in Japan but rings true for families across the world. The panic of losing their little daughter in a crowded shopping mall, confronting hooligan bikers in their neighborhood, finding the black hole that shelters lost socks, the politics of deciding dinner menu, the fight over the television remote that can shame any Kung Fu enthusiast, the frisky and headstrong grandmother with a disposition for cooking unpronounceable dishes, the ever-frazzled and clumsy mother, the aimless and all knowing teenager, the smart sister, the dynamics of a ‘real’ marriage of a tough and harmonious couple; the movie chronicles what it is like to be a family, cruising on the same boat of Life, and not always steering in the same direction. Witty and endearing, this movie is a delight.
A Separation (Iranian): Sometimes it’s nobody’s fault, but circumstances need only a tiny shove to spiral into the bounds of no return. A dutiful son taking care of his Alzheimer-afflicted father, a wife who needs some fresh air out of a monotonous life, a precocious eleven year old daughter anxious about her parents imminent separation. And then there is the family of the caretaker who is hired to take care of the Alzheimer patient. There is a lapse of duty, a fit of anger, a scuffle and loss of the caretaker’s unborn child. There is anger, legal complications follow, love is tested, distrust ensues and facades fall as each person struggle to hold on to what they dearly love. And just when things settle down to an amiable decision, befitting all involved, mere words destroy it all,  unraveling what binds them together. It’s a slice of life movie with achingly real characters. Sometimes despite every effort, things fall apart. And we wish life wasn’t so complicated. And we wish communication was easy. And even compromise.
How to Make an American Quilt: She followed a crow’s flight at the wake of dawn, wrapped in a quilt to shield against the autumn chill, and true love awaited her at the end of it. Was the crow a symbol? I’m still working on that. Finn is flighty when it comes to completing her Masters thesis, and her boyfriend has just proposed. She accepts because it isn’t an unreasonable age to get married. She goes to live with her grandmother and grandaunt to work on her thesis, and encounters a motley bunch of quilt-makers who are all set to make her wedding quilt. And while Finn struggles with her ideas of the impermanence of marriage, monogamy and the charms of a local boy, the quilt-makers each bring their distinctive pattern into the quilt and the stories behind these quilt patches help Finn course her way through indecisiveness, infidelity and finding love. Six stories of love, loss, passion, tolerance, togetherness, trust and hope. It’s a pleasure to watch the lovely Winona Ryder, and Maya Angelou too (bibliophile hangover). I am always on the lookout for crows now, but where is a good crow when you want to follow one?
 

 
Where is the Friend’s Home? (Iranian): This movie is about a eight year old boy, Ahmed, who accidentally slips in his bench-mate’s copy in his bag and is traumatized by the thought of his bench-mate’s expulsion from school on failing to hand over the homework the next day. The film chronicles his search for his friend’s home in a nearby district and the people he encounters in his search. It is a simple story, nothing superfluous. And this lack of a crowded plot and interesting deviations can be a killjoy for a certain section of audience, but it’s a delight for my heart overflowing with the love for Iranian movies. One gets the feeling of running alongside Ahmed in his quest for his friend’s home. A lovely watch.

The Dirty Word

I visited the Sunday Book Bazaar at Daryaganj recently, and I felt faint with excitement at the awe-inspiring treasures in front of me, rows and rows of books scattered in the pavement, waiting to be picked up by readers for less than the price of a cup of coffee. I did what any self-respecting book lover would do, ignored the mortified glare of the people who accompanied me, and sat down at the pavement next to a huge pile of books that included New York Times best-sellers, rare editions with yellowed, well-thumbed pages, translated works from all over the world. I looked sadly at the size of the two totes my sister and I carried; and considered dialling a taxi to take a greater haul home. I added twenty new books to my library that day. And one of them was Joyce Carol Oates’s ‘We Were the Mulvaneys‘.
It’s the saga about a perfect American family; a Dad with a flourishing roofing business, a cheerful Mom who was more of a friend to her children, three talented sons, an angelic daughter, a quaint farmhouse, adorable pets, a bustling social life, devout God-fearing hearts and the happiness of making a perfect little world for themselves, the perfect world of the Mulvaneys. Then ‘it’ happened. The incident. That dirty word. And the world sided with the ‘rapist’. The Mulvaneys fell apart, the family disintegrating gradually, time playing a cruel trick of engraving the hurt deeper each day, the knife turning in their hearts a little more each day. Each individual of the family, Mom, Dad, the three brothers and Marianne Mulvaney herself, the angelic girl to whom ‘it’ happened; were a ‘casualty’ of the incident. They didn’t crumble immediately, but the helplessness and the frustration of justice denied, falling prey to social stigma, disappointment at each other’s reaction to ‘it’; the failure to protect the lovely Marianne, their world, ‘The Mulvaneys’. How it breaks your heart! Knowing the Mulvaneys at such close quarters, having been handed such an intimate view of their lives, their goodness, their love, their perfect life; and the slow destruction of everything they treasured, the love fading behind uneasiness and their misery. Oates’s is at her finest, describing the trauma of this family, turning to obscurity. But time heals the scars, or at least makes them strong enough to endure it.  There is reconciliation, triumph of hope and compassion at the end. But, why? At what cost? Why them? Why anyone at all? It’s fiction, yet it can be anyone. It can be about me, about you. I couldn’t help the tears brimming in my eyes, as I leafed through the final pages of this remarkable book, this moving account of human emotions, flaws and redemption.
And in the evening, I watched Barkha Duttinterview a rape victim of the 2002 Gujrat riots and sat listening to the trials of her family. It’s a ten year old trial of her family fighting for justice, fighting for survival, fighting to bring up two daughters unscathed. The husband’s eyes gleaming with tears as he talked about the troubles they had to face, the threats they had to endure and how they kept it all aside for what is right, what is just.
I remembered the various accounts of sexual abuse I’ve heard through the years. A friend’s sister, who had a problem of bed-wetting till the age of 23, was a victim of incest at the age of 3 years. A neighbour was a victim of marital rape every time she had an argument with her husband. A classmate was groped by few men during a Durga Puja crowd.
Many women. Many stories. A dirty word in their lives; Abuse, Incest or Rape.
It had been coming for a while. I couldn’t see it outright, but the signs were there; creeping along the subconscious, an occasional peek now and then; the dirty word glaring at me from the front page of the newspaper as I nervously flip it over to the light-hearted page 3 gossips, a scene from a TV show-the girl running, thinking ‘will she escape?’ and the helplessness of knowing she won’t; the muted paranoia of letting my sisters go out into the world where unknown dangers lurk at every corner and I’m not there to watch over them every moment; the constant efforts to ‘blend in’, worried of being singled out, of sending any wrong signals, not ‘too quiet, too shy’ any more, as I try being social, to blend in. My mind tries to remind me of ‘it’. There had been too many signs recently; a newspaper headline, TV shows, this book. And I unconsciously shut out these triggers, not dwelling on them out of habit. My memory is remarkable, not in retaining, but in ‘forgetting’, in ‘undoing’, in convincing myself ‘It never happened’, congratulating myself on moving on so effortlessly, dreams and hopes in life still intact, nothing ravaged. My memory saved me, burying unpleasant details, hushing out any voices from the past, those words in the newspaper, that helplessness of the girl running, that muted paranoia.
I too had been through it. I was led to believe I had been lucky. I was ‘only‘ molested. Once that tricky portal of thoughts open, the sentences from my past escape and crowd in, vying for my attention. “Only molested”. “Not raped”. “It could have been worse”. “It happens to every woman at some point of her life”. “Girls get molested in crowded buses every day: a pinch, a rub”. “If you don’t dwell on it, it’s like it never happened”. There are rare times when I wonder how I got so close to being another Marianne Mulvaney, but I didn’t. I escaped; from the bad things that a man can do to a woman. But I had a narrow escape. Was I lucky? Hell, yes. I thank God for sparing me the trauma, and my life. But the questions like “Why did it even have to happen?”, “What could have been?”, “How can my parents not protect me?” still haunts me when I lessen my guard over my subconscious.  Family support and therapy can go a long way, I have heard. I can’t imagine what rape victims must go through; their feelings towards self, towards family and friends, towards society at large, and towards the unfairness of being singled out, disrupting their life’s course; the life that wasn’t supposed to include ‘it’.
My family had supported me through my jittery nervous existence, through the bouts of depression that followed, but I was disappointed that nothing could be done to punish the guilty. I consulted a psychiatrist and all she said was, “so, the lesson is to be cautious. And never to use a shared auto.” And nervous laughter. As if it was a joke. As if we are discussing a trivial matter, as if it was a moral science class in school with a ‘Lesson’ at the end. I knew she couldn’t help me, only I can heal myself and move on. Only I can trick my memory, bring my life back on track, and make up for lost time. I have done it, I don’t think about it anymore. I can write about it now, even though I don’t bring it up in conversations. I can watch the scene of a girl being molested on TV without wincing. I can watch my reflection in the mirror and not feel self-disgust. I can talk to people, chat with friends, fall in love, and enjoy life every moment. Sometimes I am aware of it being a little forced, this determination of mine for an untainted memory. Few aspects will take time to get used to; like to trust someone.
 
It’s still taboo in our society. Sex in movies, live-in relationships, homosexuality etc is being accepted gradually. But the uneasiness of society when dealing with sexual abuse is still prevalent. My heart goes out to those women who have suffered ‘it‘. Not just the street hooligans, there can be a beast lurking in that friendly neighbour, that teacher you idolize, that man sitting next to you on a flight. Who knows? Who can say? Where can a woman be safe? In homes where incest is “not seen”, wife swapping among brothers still prevalent in certain communities, and maintaining family relations triumphs over moral justice? In offices where lewd remarks, sexual harassment-outright or suggested, uncomfortable male gazes prevail and again “not seen”? In a society where news of ‘a woman raped at 1am after a party’ gets out and all one hears is the contempt for the careless woman staying out so late at night and questions about her character? On the streets where a young school girl returning from school is stared down from head to toe by road-side loafers who comment on her breasts and thighs?
  
Who has given men right to abuse a women at whatever time of the day it might be, at however lonely a place it might be, and however skimpy her clothes may be? How can one say ‘she had it coming for her’? How can one violate another person in such a brutal way just because she’s a woman, correction, she has a vagina? Who defines these moral codes? I know I am being too hopeful in wanting a society where a woman’s dignity is never unduly violated just because she’s there, within reach of groping hands.
The best we can hope for now is looking after ourselves and being cautious, fighting for justice, and support victims of such crimes-be it incest, sexual harassment of any sort, molestation or rape.
I pray for a world when this dirty word vanishes from the surface of the earth.