The week that was #1

Autumn doesn’t show up where I stay. It is just a mild summer. No browns, reds or oranges. I am mostly in bed these days, exhausted, because my body is making a tiny human. I try to invoke an autumnal aura by pulling down the window shades to filter in a soft honey light. And by vegetating in front of a Gilmore Girls binge watch. And daydream about talking to my child.

I read Janice Pariat’s book of short stories, ‘Boats on Land’. It was a real pleasure. It offers up an engaging mix of hills, sprawling tea-estates, mists, folklore, incessant rain, lives of people in places where nothing much happens, displacement, forbidden feelings, wistfulness, fragile hopes, and so much more. I read it this weekend, and have finally broken the reading slump I found myself in the past few weeks.

An assamese lunch has become a ritual every Sunday, a welcome break for me in a week of paneer, dosa, sambar, pasta etc. I take out the brass metal plates and bowls my parents gave me the last time I was home. My husband buys fish the evening before. We fry the Rohu pieces and later dunk them in a mustard gravy. The green chillies are from the garden. There is masoor dal with a generous sprinkling of squeezed lemon juice (unfortunately one-third the size of the ones found in Assam). Mashed or fried potatoes. With mustard oil. An unhealthy indulgence, but a loved one. There will be round slices of brinjal dunked in besan gravy and fried. Maybe an egg. Greens are in the form of a soup. Mango pickle. A slice of lime. And I am transported back to my childhood, and my mother feeding us the same food. The comfort of knowing it will be the same every day when we come home. Every single day. Its recreation is the comfort now.

The Week

Book: Anthology of Contemporary American Short Fiction, selected by Joyce Carol Oates and Christopher R. Beha. Out of the forty-eight stories in the anthology, I have read 1-900 by Richard Bausch, Lavande by Ann Beattie, Off by Aimee Bender, The Love of My Life by T.C.Boyle, The Identity Club by Richard Burgin, Aurora by Junot Diaz, Reunion by Richard Ford, The Girl on The Plane by Mary Gaitskill, ‘Adina, Astrid, Chipewee, Jasmine‘ by Matthew Klam, Once in A Lifetime by Jhumpa Lahiri and Incarnations of Burned Children by David Foster Wallace. Each story is a revelation in how words can be stringed together in myriad ways to hurl the reader into a space rife with characters so well-sketched that it takes only a couple of pages before an involuntary familiarity is fostered. The plots vary from being elaborate and including multiple time leaps to ordinary encounters. What keeps the pages turning is the versatility of the content and style of these accomplished writers. Little nuggets of pure bliss.
Film: Often they are larger-than-life, crude and garish, but no one can deny how Hindi films have marked us with its invisible stamp of magnanimous dreams, instilled an inevitable sense of drama, bound us with shared memories of favourite moments from the screen, and made us unabashed (or closet) romantics. And yes, there is a song for every emotion and situation. I watched Bombay Talkies last weekend. I won’t judge how true the four stories were to the common theme because each one of them brought in a new wave of delight. Each one told a story in twenty-five minutes, and told it well.
Karan Johar‘s story is about the angst of a man who has veiled his sexuality under the institution of marriage, the longing of a woman to be desired by the man she married, the overwhelming attraction of a gay man towards the husband of a close friend; and the confused, tender, passionate and brief entanglement of these three lives that changes them forever. Till date the only poignant film that I had watched about two men in love, devoid of stereotypes and caricatures, is Brokeback Mountain. And now in this film even though the moments were fleeting, Randeep Hooda brings in a passion, sensuality, repressed desire and tenderness that is incomparable. Rani Mukherjee had never looked more beautiful and real. Dibakar Banerjee‘s story is run by the genius of two men, Banarjee himself and the lead actor, Nawazuddin’s flawless performance of a common man with big dreams that loses steam after the first few steps on the road to realize them. He craves glorious destinations without the ordeals of the journey, and wants it all without questioning his own potential and calibre. And he has a pet Emu (‘ooi-ma’ to his neighbours :P) named Anjali! Zoya Akhtar questions if our dreams and ambitions should be tailored to meet the approval of society and be within the rigid constraints of conventionality. A little boy is torn between his uncontrollable urge to be a dancer and gyrate like the on-screen ‘Sheila‘, and his father’s desire of seeing him ace the football games at school. When his father hits him for dressing up in his sister’s clothes and applying lipstick, self-realization dawns that certain dreams are best indulged in secrecy till the right time arrives. His relationship with his sister is quite adorable too. Anurag Kashyap‘s story is witty, hugely entertaining and yet sad in the very premise of how the masses deify their screen idols, putting lives on hold for a mere glimpse or word from them. The delight of watching this particular story was comparable to that of reading a short story by Saki.

Food: Given that my mother harbours the delusion that someday I would consider getting married to one of the potential suitors whose names get dropped not so subtly in her conversations with me, the few strands of prematurely grey hair on her head is partly attributed to her long standing worry that my (future) in-laws and husband would use my complete apathy towards cooking to judge her  parenting skills. Last weekend to appease her, I tuned into the Nigella Lawson show and diligently noted down few recipes. On Sunday morning, after a short struggle with the blender that involved the batter flying in all directions, I ended up baking a delicious chocolate cake…all on my own! And my mother’s frown lines were miraculously wiped off as she ate the first piece of the cake.
Everything else: I am relieved and somewhat surprised at the abrupt lightness of being brought on by the fading of a face into the darkest and deepest recesses of memory, because I wasn’t even aware how a quiet yearning had weighed me down for years. I watched a documentary on the quaint town of Omori in Japan.The Gulmohar tree outside my window is covered in blazing red blossoms. I no longer follow the IPL matches. I painted my nails coral pink. And the heart beats wildly in anticipation of a long awaited change.

Smorgasbord:Harsh Realities, Secret Lives Of The Brain, A Vintage (Imaginary) Friend

Parents grow old and die. Seven years ago when a close friend lost her mother, I confronted this harsh reality for the first time. Suddenly the loss of a parent didn’t happen in distant homes but occurred in the life of a beloved friend, a contemporary. I talked about it with another friend, A, who shared my fear and incredulity and said, “I can’t even begin to imagine a life without my parents. Aami tu bhabiboi nuaru!” She echoed my deepest fear and spoke words that I didn’t even dare say out loud lest they came true. Last Monday when A was holding onto the last minutes of sleep at dawn and her mother was picking up laundry, her father began gasping for breath in the adjacent room. Within five minutes, their lives underwent a tumultuous and irreversible change. Without any preceding illness, his demise was a traumatic shock to the family he left behind. I couldn’t bring myself to call up or visit A till quite late in the day. Her previous words came back to me in a rush. The world that she just couldn’t imagine was here now and the reality of ageing parents gripped me with a new fear. Over the past decade, my parents had a few serious health scares and I had nearly lost my father four years ago to sepsis and multi-organ dysfunction. But with the grace of God and their own concern towards their fitness, they lead much healthier lives now. No one can change certain unfortunate realities of life, but everyone of us can spending quality time with our parents instead of being cooped up with our own little worries and busy lives, get regular health check-ups for them, oversee their diet and exercise, and let love and laughter resonate each day.
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I have been reading David Eagleman’s “Incognito: The Secret Lives Of The Brain” and despite being well aware of the physiology of that three pound of neural tissue that runs our entire lives, the book provided entirely new and deeper insights into the amazing machinery that is the brain. Imagination, emotions, decisions, intelligence, identity, aspirations, ideas, problem-solving, attention, vision, the entire human physiology and the vast world of the subconscious; everything comes alive in the book. It is a humbling and staggering realization that our conscious selves isn’t the centre of our existence, and is way off in a distant orbit. Most of what happens in our lives aren’t done by conscious effort or generated on their own, but is a modulation of innumerable stimuli, past information and experiences stored in the brain that it throws up to our conscious realization, and we go “hey, I just had this amazing idea“. Our flawless vision where nothing escapes our notice can surprise us with new revelations depending on what we tune our attention to. An engaging and unputdownable book.
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I found this old library photograph from the 60s on Flavorwire, and I just can’t get over how awesome and cool she looks. I now think of her as a Nabokov-reading vintage librarian who is also my imaginary best friend!

Smorgasbord:Weekend Read, Orange Afternoons, Jethro Tull

My reading life covers a broad spectrum of fiction and negligible non-fiction that includes only biographies. I read purely for the joy of discovering new stories and newer insights, and the continual amazement of how words can be stringed together to evoke varied emotions. But i want to do a little more than flip pages to find the next twist in the tale; and want my reading to enhance and diversify my perspective of the world around me. I want to develop critical thinking and form sound opinions of my own rather than inanely agree to those of others. Not long ago it was a painful realization that i had only inserted ‘packaged opinions’ in my mind. Writing (or blogging) had changed that as I can gather and give some shape to my thoughts when I write them down. Despite the participation in numerous debates in school, I am unable to formulate convincing arguments and raise essential questions about the things I read and hear. So this weekend, two decades late into my reading life, I have picked up ‘How To Read A Book‘ by Mortimer J.Adler in the hope of getting more out of the books I read and increase my curiosity and understanding of a variety of topics.
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Nowadays, between four and six pm, the day takes on a warm orange hue. Outside my window, the leaves are yellowish-green and the warmth encompasses the red-brick houses too, converting their shabbiness into a rustic charm. The faces in the crowd has taken on the warm sheen of freshly baked biscuits. The sun lingers in the sky suffusing it with orange arteries and the impatient sliver of  a pale moon is already visible over the distant grove of trees. A pair of crows fly soundlessly, spiralling around the coconut tree adjacent to the window. Somewhere just beyond my field of vision the cuckoo melodiously leads a noisy lot of birds. I take in the unassuming and quiet beauty of this orange day; and you come in and reverberate in the sudden tranquillity of my thoughts.

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A friend, who knew my penchant for soulful and understated lyrics, had gifted me Jethro Tull CDs a few years ago, citing that they are lyrical gods whom I must hear. I wasn’t an immediate convert. But lying awake in the dark and still hours, the words and the flute grew on me. Here is one of my favorites:
‘Fire At Midnight’ by Jethro Tull
I believe in fires at midnight
When the dogs have all been fed.
A golden toddy on the mantle
A broken gun beneath the bed.
Silken mist outside the window.
Frogs and newts slip in the dark
Too much hurry ruins the body.
I’ll sit easy, fan the spark
Kindled by the dying embers
Of another working day.
Go upstairs, take off your makeup
Fold your clothes neatly away.
Me, I’ll sit and write this love song
As I all too seldom do
Build a little fire this midnight.
It’s good to be back home with you.

(Unintentional) Things I Learnt This Week

# Even when the first sentence of the book provides details about the suicides of the female protagonists and even when the narrator is a vague collective ‘we‘ of neighbourhood boys, it can fuel curiosity and end up being a page-turner. Sometimes endings makes for great beginnings. Or maybe each ending is always a beginning, considering that’s when everything makes sense. I’m reading The Virgin Suicides by Jeffrey Eugenides.
# There is always the option to dive and resurface with an appropriate mask that won’t make a valued friend uncomfortable to be around you. It can be a mask of essential detachment that would not crowd their imagination with unnecessary obligations, worries about unmet expectations and unintended hurt. You will feel a secret guilt that you aren’t being true to yourself, but then sometimes detachment spares unnecessary confusion and ironically maintains friendships. If you want things to be normal, take the initiative in behaving normally.
# Just for once put the words ‘hips‘ and ‘boobs‘ in the title of a post and watch the blog traffic escalate. It doesn’t matter that the content of your post isn’t remotely pornographic; a crowd of faceless strangers titillated by such anatomical catchphrases would swarm to your blog. Majority would be disappointed by the lack of sexual content and never return. You are relieved by the exclusion of such audience; but they had served their temporary purpose of upping the web traffic into numbers that you had never received with titles relating to books or love .
# I had heard of post-coital rituals that involves any combination of psychedelic music, naps, cuddles, smoking, or maybe reading; but it alarmed me that there is an unofficial genre of post-coital literature. I wonder what are the points that tips a book into that particular genre. Sleep-inducing? Post-modernism? Titillating? Spiritual? Or maybe good old love?
# It is amazing the innumerable ways things can go from point A to point B, and in real life, a straight line is the least common of them all.
# Coffee that has turned cold (and not cold coffee) can act as an unintentional laxative for some people (not me).
# Sitting in a pool of sunshine, away from distractions and people and responsibilities, with just a good book and some imagination can undo a lot of emotional ravages and allows for fresh starts. A vacation in an exotic locale isn’t a prerequisite for it; a quiet spot in the park, the terrace or even the bed by an open window does the trick.
# German language is populated with hefty compound words but they end up being the fun and unintentional motivation of learning it. Take fernweh (an ache for the faraway), backpfeifengesicht (a face in need of the fist) and my favourite herbeisehnen (the feeling of missing something you love while knowing that its likelihood of return is unknowable and entirely left to fate). I can’t wait to know more.

Smorgasbord: A Joke, Anne Tyler Read-athon, Rumi’s Words

I read this little joke on Twitter and only fat people will be able to squeeze out the last drops of humour from it and laugh so long that you will get hiccups. Here goes:
Doctor: Are you sexually active?
Me: I am not even physically active.
*hic! hic!* Yes, I am fat. 🙂
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I had an Anne Tyler read-athon recently; started with Dinner at The Homesick Restaurant, and followed it up with The Amateur Marriage and Breathing Lessons. The common elements of each story are: suburbs of Baltimore; emotionally volatile wife and subdued husband, who have a whirlwind romance and long tumultuous marriage, and despite their best efforts and the shared years the love often fades; at least three children and the eldest one is usually the rebel; the other two are obedient, intelligent and hence rather dull, nothing interesting happens in their lives; lack of communication, quick and wrongful assumptions, incoordination and unsaid words creates irreversible rifts; and an all-pervasive despair and bitter-sweet emotions about how things could have gone so well, if only they knew how to go about it and said what they felt. The prose is poignant and insightful, and certain sentences strike such a chord of familiarity that a new lump of heartache forms. But The Accidental Tourist is the last of Anne Tyler books I will read.
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Then I go back to Rumi:
 The minute I heard my first love story
I started looking for you, not knowing
how blind that was.
Lovers don’t finally meet somewhere.
They’re in each other all along.
The most heartening words:
What you seek is seeking you.

And a poem about finding the way back to your own life to love yourself:

Love After Love
 The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
~ Derek Walcott

The One About Skinned Knees, Distractions and Absent Lovers

Two decades ago I barged into a class and under the scrutiny of fifty pairs of eyes that had turned towards the door, I tripped and fell. I didn’t pause for a single second on the ground, and dashed towards my desk, trying to overlook the classmates who sniggered. And it was only when the teacher shrieked ‘Your socks are soaked with blood!’ I looked down at my bloodied knees. The wounds gaped wide enough to require sutures but I was too preoccupied with my embarrassment to feel even the slightest stab of pain. As everyone fussed over my injury, caressing my head, and offering me a glass of water, I felt the pain in my legs explode. That’s what I remember from that day. If you don’t dwell on it, the hurt is negligible. I took to suppression as a coping mechanism against injuries and setbacks; I don’t conceal or run away from hurt, but face it with an essential detachment, like events unfolding in the life of a close acquaintance where I have a ringside view of everything but I am spared the pain. I don’t dwell on the ground to look at my bleeding knees.
February was tough. I lost a sister, an important plan fell through, a close friend disintegrated into depression, and I witnessed (and still witnessing) a career-related legal drama. If I allow myself to take it in all, the chaos would choke me. But over the years, my mind had adapted to detach and distract itself from the dreams that crumble, the people I lose or the ennui of everyday existence, filing them away in neat little cabinets. Life is too short to mourn about what happened and what didn’t. I am yet to be loved; I am yet to achieve my goals. There are so many places I haven’t visited yet; there are so many books I haven’t read yet. I go from one day to the next, concentrating on what is and what would be. The past can’t be crammed into my life.
I extrude the unpleasant by replacing it with small moments of pleasure. A day after my elder sister died, I felt guilty about the happiness that bubbled up in my chest on seeing the new and vivid bougainvillea blossoms near my home. On the days when love disheartens me, I write about love. I read wherever and whenever possible. The calming monotony of laps in the pool or feet pacing on a long walk is something else that I look forward to. My ambition had blunted in the recent years, and I am trying to revive it; but all the while reminding myself that it is just a job. I am not one of those revoltingly joyous and perky individuals brimming with optimism, but I refuse to drown in despair too. Life is just normal; sometimes I create my own happiness, and sometimes it creeps in unexpected.
 
I take solace in the unusual; even the absent lover has a peculiar charm. It can sometimes morph into a constant and subtle longing for him to witness the world with me, to witness me, to let me witness him. These are the moments when I walk about interposing minutiae of my idea of him into the world around me, blending the two seamlessly. Today I drove to IITG and spent few delightful hours walking the large green grounds and catching up with old friends. All throughout I carried him around to hear that song on the car radio, to see that lone black bird on a tree with red blossoms, to be enthralled by that sunset over the vast river, to hear the conversations I had, or to laugh over my hair fanning out weirdly in the wind. Sometimes an intangible absence makes me feel more alive to the world than the tangible objects that crowd it.

Smorgasbord: Overflow, Quiet Worlds, Kisses

“Everyone else seems to have the brakes on… I never feel the brakes. I overflow.”
 ~Anaïs Nin to Henry Miller

This sentence sums up my life. I incline towards the excessive. Overflow of thoughts, of words, of a vague indifference, of solitude, of fernweh, of yearnings, of independence, of anger, of songs, of poems, of a sense of wonder, of impulsiveness, of caring, of travels, of determination, of dreams, of books, of quietness, of volubility, of happiness, of melancholy, of laughter, of hopes, and of love. The brakes are defunct, vestigial. It isn’t obvious; everyone sees the invisible walls of restraints that i put up, inhabiting a narrow world of measured words and actions. That’s a perception i don’t try to correct; a very few people can be accommodated in my inner world, the one without any brakes; they know this world, and it’s enough.
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If it was possible, i would curl up for a nap in a poem. I would gobble a poem whole. I would plant millions of poems around me, and pluck them at will. I would stuff  poem in a pillow and let it caress me every night. I might even allow a poem to put coffee stains on my books. That’s how a good poem makes me feel.
I want to share two of my favorite poems by Jeffrey McDaniel tonight. ‘The Quiet World‘ is in sync with the wordless love I am forced to live, having brakes on for the first time in my life. I am a mute lover. Unsaid words die in my mouth every night as I wait. ‘The Archipelago of Kisses‘ is a encyclopedia of this endearing gesture of love. May the pants of the people who claim that they don’t like kisses drop in public! From an overflow to relative scarcity, from meaningless to being steeped with meaning, from fleeting ones to the ones that claim you, from sloppy to sensuous, from dizzying to a comforting habit; kisses grow with us. I still wait for the ‘I will love you through a brick wall‘ kiss and ‘I will swim through the Earth for you‘ kiss; have you found that mouth yet?

The Quiet World
In an effort to get people to look
into each other’s eyes more,
and also to appease the mutes,
the government has decided
to allot each person exactly one hundred
and sixty-seven words, per day.

When the phone rings, I put it to my ear
without saying hello. In the restaurant
I point at chicken noodle soup.
I am adjusting well to the new way.

Late at night, I call my long distance lover,
proudly say I only used fifty-nine today.
I saved the rest for you.

When she doesn’t respond,
I know she’s used up all her words,
so I slowly whisper I love you
thirty-two and a third times.
After that, we just sit on the line
and listen to each other breathe.

 ~Jeffrey McDaniel
 The Archipelago Of Kisses


We live in a modern society. Husbands and wives don’t
grow on trees, like in the old days. So where
does one find love? When you’re sixteen it’s easy,
like being unleashed with a credit card
in a department store of kisses. There’s the first kiss.
The sloppy kiss. The peck.
The sympathy kiss. The backseat smooch. The we
shouldn’t be doing this kiss. The but your lips
taste so good kiss. The bury me in an avalanche of tingles kiss.
The I wish you’d quit smoking kiss.
The I accept your apology, but you make me really mad
sometimes kiss. The I know
your tongue like the back of my hand kiss. As you get
older, kisses become scarce. You’ll be driving
home and see a damaged kiss on the side of the road,
with its purple thumb out. If you
were younger, you’d pull over, slide open the mouth’s
red door just to see how it fits. Oh where
does one find love?
If you rub two glances, you get a smile.

Rub two smiles, you get a warm feeling.
Rub two warm feelings and presto-you have a kiss.
Now what? Don’t invite the kiss over
and answer the door in your underwear. It’ll get suspicious
and stare at your toes. Don’t water the kiss with whiskey.
It’ll turn bright pink and explode into a thousand luscious splinters,
but in the morning it’ll be ashamed and sneak out of
your body without saying good-bye,
and you’ll remember that kiss forever by all the little cuts it left
on the inside of your mouth. You must
nurture the kiss. Turn out the lights. Notice how it
illuminates the room. Hold it to your chest
and wonder if the sand inside hourglasses comes from a
special beach. Place it on the tongue’s pillow,
then look up the first recorded kiss in an encyclopedia: beneath
a Babylonian olive tree in 1200 B.C.
But one kiss levitates above all the others. The
intersection of function and desire. The I do kiss.
The I’ll love you through a brick wall kiss.
Even when I’m dead, I’ll swim through the Earth,
like a mermaid of the soil, just to be next to your bones.

~Jeffrey McDaniel

(Pics Courtesy: 1. Overflow painting by Natalie Houston; Pics from Google Images)

Candles, Mass Murders and Small Towns.

fayettevillearts.org

When I was a child I sat at the study desk every evening for a few hours, opening slim volumes of brown notebooks with a serenely smiling Don Bosco on the front cover, to draw maps, solve quadratic equations, summarize a poem or memorize the years of famous battles. I grew up in a modest locality of a small town in Assam, where the residents were thankful for a few hours of electricity every night. And till the time my father brought home a noisy power generator, a candle and a match box were as essential on my study table as a pen. Every time there was a power cut, it was the perfect excuse to plead to my mother that my eyes hurt reading the tiny print in the faint light of the candle. She knew me well, and after confirming with an ophthalmologist that I had excellent vision, she started bringing home newer sets of large candles with thicker wicks.

When I realized that there was no escape from the study desk, I decided to improvise new forms of amusement or escape routes. Once I dipped all the candle wicks in water, but got a much deserved scolding from my mother when she found out. Then there was the dissection of any unfortunate mosquito that got drawn by the flame and landed on the desk. I took out my pent up frustration of being confined to study on the poor mosquito; I trapped it, dissected its tiny wings with a compass from the geometry box, and then burnt their miniscule torsos in the very flame they had flocked to, rounding off the whole exercise with unblinking eyes and a sinister laugh to scare my little sister who watched it with horror from the adjacent table. I was cruel little pyromaniac burning up dozens of minute winged creatures every evening. My cousin had taught me the neat little trick that if one was fast enough, they can move a finger across the flame and not feel a thing. I did that too, till the fun wore off, and a painful blister erupted on my finger.
And when the electricity decided to favour us by returning after long hours of darkness, there was this race between my sister and me to blow out the candle, accompanied by a wish; a silly hangover from birthdays. Sometimes the loser initiated a quarrel, which my mother resolved by lighting up the candle and giving the chance to blow it out again with a wish. When I was in the seventh standard, I was infatuated by my history teacher and had made it my sole ambition to excel in his subject, and much to the amazement of my family,  even a power cut couldn’t budge me from the study desk. Once I had studied the various invasions of India with such fervour and attention that my sister gleefully watched smoke rise out of my hair for quite some time before informing that my curly hair had caught fire from the candle flame. It took a clever hairdresser to minimize the damages, but it was never the same.
Many years later, the candle returned to my life, albeit in a setting when lovers have the crazy idea to grope for their food in the dark, all in the name of romance. I suppressed a smile when I recalled our old hostility, and the mass murder of so many mosquitoes. But I couldn’t reveal it to the one who sat in front of me, without him questioning the unusual sources of amusement in my childhood. So I kept shut, lest he also found out about the evenings of dipping a flour-laced winnow board in the pond and taking it out after a few minutes, filled with tiny prawns. Or about constructing a swing in the backyard, playing table tennis without a table in a long and narrow corridor where the ball bounced off the floor, the long nights of badminton, striking a shot on the carom board I could barely reach as it was set on a tall barrel, catching dragon flies and glow worms and putting them in glass jars, digging for sweet potatoes in the garden, looking for a lost treasure at an abandoned house, climbing trees and hanging upside down from a branch; what can I say about the delights of growing up in sleepy, small towns of India. I merely smile at the memories.

Smorgasbord: Recklessness, Procrastination, Dating a Bookworm

Impulsiveness will be my nemesis, someday. You tell me, “Be careful not to bump into that wall, you will get hurt“. My restlessness grows and is vented out only when I kick the wall and limp on my bruised feet, content in the knowledge and first-hand experience of the pain of kicking a wall. I need to know things for myself. I will hear the advice, read the wise words, nod approvingly at the sermons of infinite wisdom and caution; but in the end, I’ll run headlong into that wall, you know, just to make sure. Instant gratification, sometimes it provokes the impulsive behaviour; the irrepressible urge to let something be known, to go somewhere, to recreate a memory, to meet a certain person, to write for myself, to just escape. I never foresee the ramifications of acting on my impulses; I just do it, because that’s what I want to do at that very moment. I had once told someone that I loved him, after knowing him for just a month, knowing fully well that the answer wouldn’t be what I wanted to hear. One day I woke up before sunrise and set off on a long drive, with no destination in mind, just because the road didn’t end, and it felt like an escape, from I know not what. Yesterday I told a near stranger things I had never told anyone, aware of the uneasiness such revelations will cause, and on a reckless intuition that they wouldn’t be shared with another individual again; just because I felt like writing it down and telling someone, “Hey, this is me, you know. I know resilience.” Nowadays, I speak up if I feel something is wrong, not worrying about revering age, or giving undue consideration to the consequences that would follow. My mercurial temper had tapered down over the years, I am surprised and somewhat amused at my own patience. I am not too optimistic about the eventual dwindling of this recklessness and impulsiveness that creeps up on me without any warning. Someday, hopefully, life would make a person with calculated moves and measured words out of me. Till then, I will continue to wear my heart on my sleeve.
I procrastinate and put off things till the maximum time admissible without any adverse effects on the outcome. So instead of pursuing a consistent study schedule of at least ten hours every day for two months, I prefer studying fifteen hours per day for one month. It’s the poorer choice, but until the moment I feel the fear and the adrenaline rush of knowing that I can’t delay a task anymore, I don’t feel any joy or enthusiasm in undertaking it. It leads to anxiety, and that’s not a habit one needs to cultivate, but some people thrive on that essential anxiety, that aura of unrest. I am one of them. One month till an exam, and the study marathon begins from today; social network deactivated, TV disconnected, all novels (except for three) shoved into a trunk. Only three portals of connection with the outside world: gym hour, blogging, and highly filtered phone calls and texts. I need to re-read the massive Kaplan and Saddock’s Synopsis of Psychiatry, and it would be one of the rare times I haven’t felt studies as a chore, but as fun, like reading a good story. 
The review of the book I’m reading, Italo Calvino’s Difficult Loves, will be posted soon. I am now onto the last story in the collection, Smog. A friend e-mailed me a delightful post enlightening people on why they should date a bookworm; it was adorable and made me smile for hours, wondering when would I find my fellow-bookworm. Read it here. “A true bookworm will go far beyond the traditional flowers and chocolates and move onto professing their love for you in the pouring rain without an umbrella.” That got me thinking. If I don’t re-create all the good ideas that I had read in my one and only life, it would be a sheer waste to confine them to a corner of the hippocampus. I’ll keep a notebook for that very reason from now on, collecting pebbles of romance from the books I read. If anything, it’d make a nice read on a dreary day.

Smorgasbord: Ismat Chughtai, Come Here, Dead Ends

Last year I had decided to incorporate the works of eminent female authors of Indian origin into my reading list, the ones beside the predictable list of Arundhati Roy, Jhumpa Lahiri and Kiran Desai that my generation identifies with. I started with the novels and memoirs of Kamala Das and Indira Goswami. I began 2013 with the short stories of Ismat Chughtai. They are unabashed, titillating, disturbing, provoking; they tell about the underbelly of conservative and orthodox households, about lost loves, about the lives of women from various nooks of the Indian society, and about the relationship dynamics in large households. In the anthology I had bought, there were stories about a dejected wife who embraces the devotion of the female servant whose rough hands massages her creamy white back and legs, and lets the servant do questionable things to her under the dark cover of a quilt every night; about a rogue Englishman, with  a glass eye, who stayed back even after India gained independence and tentatively tried to start a family with his Indian maid, under the mocking eyes of the very people he ruled; about an adolescent widow outcast from the household when the heir of the family impregnated her; about the lost years and love of two passionate individuals who never gathered the courage to confess their feelings; about the a pampered daughter-in-law plagued with the grief of serial miscarriages and the fear of her husband’s remarriage, witnessing the ease of birth of a child in a moving train; about how the craving for restless soul soured once it was possessed and tamed; about a tortured painter’s obsession with the thin line between pure innocence and veiled provocation of his subject. Ismat Chughtai is unconventional, hence unputdownable.
Love songs crowd the playlists on my phone and iPod. But the one I always return to sometime in the course of the day, is Kath Bloom’s ‘Come here‘. There is a scene in the movie ‘Before Sunrise’ when Ethan Hawke and Julie Delpy are in the listening booth of a music store, and this song starts, the words of which says what remains unsaid between them, and the subtle longing in their stares, and the wondering in their hearts, and the anticipation of what is to come. The palpable thrill of the unsaid. I’ll never tire of this beautiful song.
When you take the open road towards the unknown, with nothing but naked hope, you are wary of taking more than a few hesitant steps each day. When the sun shines on you and the fog around that obscure destination clears up a little, your gypsy feet tread with joy. But sometimes you wake up to an unfamiliar and hostile terrain surrounding you. Reason tells you to turn back before it’s too late, and you stand awkwardly, helplessly, not knowing what to do. The worst nightmare is to realize that you had been walking towards a dead end. You cry not for the lost time or the lost hope; but because walking back on your now weary feet would take so much longer. 

8th January, 2013

The nights are foggy and cold. But Asaram Bapu (or whatever he makes his motley of brain-dead followers call him) made sure that many fumed with anger last night. His opinions aren’t even worth of being spat on; but there are hordes of people who drink every word of his as the elixir of enlightment, and who will implement these absurd beliefs and suggestions in their own homes. That’s what worries me. Girls would be asked to fall at the feet of their brothers and call for mercy, to spare their honour (which we are told resides in a thin membrane; one’s thoughts, deeds and the way one leads their life hardly matters, it’s all about that membrane!). They would be asked to recite a prayer when a brother-in-faith cum closet rapist leers and hovers over her. He might drop dead or miraculously recognize the sister in the woman he wanted to rape. Who knows? In the world of all-knowing godmen, the women who get raped had obviously forgotten to invoke a few Gods in her daily prayer, or crossed the threshold of her home with the left foot first, walked under a ladder, wore black, forgot to fast, or worse were atheists who jiggled cleavage, ate spicy chowmein (this was suggested by the Khap not long ago as the cause of untamed libido!), roamed the streets after dark, and basically did everything to deserve being raped! Last night I watched in dismay that woman trying to defend Asaram’s comments the News Hour debate. How can one expect a safe world for women when there exists such members of their own gender who follow the derogatory discourse of self-styled, rogue godmen as the absolute truth?
The nights are still foggy and cold. I am buried under three layers of woolens. I drink umpteen cups of chai. I have upped the capsaicin intake. I don’t want to leave the gym, and its central heating. I asked a (married) friend in Delhi how she had been surviving the nights, when the mercury drops to record lows. Her answer embarrasses me and I shut up. Every morning I feel distressed to read the news of people dying in the cold wave in North India. Lives lost just because of the lack of access to a warm blanket! I had asked another friend, who has the authority of being a part of the government, if/ and how he tackles these sad loss of lives in his district. He replied that they had arranged for large fires being lit at public places and had even distributed a few thousand blankets to the people who don’t have access to the bare necessities of life. It made me feel so proud of him; not just because I heard of these measures being taken to combat the problem, but because I have complete faith in their implementation. We, as citizens, too can aid such efforts by donating woolen clothes and blankets to clothing drives and NGOs. We often wonder whether such small steps would ever make a real difference. It would, at least to a few lives; and continuous and collective efforts will make a much greater impact.
I’m on a rough patch emotionally; on the verge of losing a loved one forever; learnt embarrassingly late that the one I had (stupidly) pined for so long, is in love with someone else; books don’t interest me enough, nor does writing; uncertainties about my future haunt me; my simple dreams clash with the ambitious expectations of others. Stubborn hopes cling to me even when I’m fully aware of their absurdity. I write when I feel like. I connect with only the people who matter. Early mornings and a good part of the day are spent in studying for an exam in February. Today I listened to ‘Always on My Mind’ in a loop. In the evening I read a few pages of Boredom by Alberto Moravia. I am trying to learn the importance of letting things follow its own course. Sometimes expectations weigh things down. Nonchalance makes every little development a pleasant surprise. I’m learning about life.

Smorgasbord: Books, Badminton in Winter, Sketchbook Snippets, Chaudhury!

My trapped soul celebrated its freedom today by splurging on books. There’s a hole-in-the-wall bookstore in Panbazaar where the books are stocked from floor to ceiling, obscuring the walls from view. Orgasmic! The tottering piles overwhelm me, but I linger for hours as I leaf through one book after another. I had missed them so dearly during the self-imposed three month hiatus, I actually sniffed a new book! I am sure there is a name for this book fetish in a therapist’s heavy tome somewhere. I bought six books today; my December is made. I will be in Delhi and Noida for a fortnight, starting this weekend, and I plan to visit Daryaganj’s Sunday Book Bazaar again for some cheap bargains. Can you hear my squeal of pure delight?

I bought the following books:
1. Nabokov’s Laughter in the Dark
2. Atul Gawande’s Better
3. Upamanyu Chatterjee’s English, August
4.  Henry Miller’s Quiet days in Clichy
5. M.J.Akbar’s Blood Brothers
6. Tishani Doshi’s The Pleasure Seekers.
I start with August this December.
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This cold is a poor fragment of the winters of my childhood; it’s almost reluctant. But December is here and I shake out naphthalene balls from the folds of the woollens. Often I wake up as a Jedi warrior with my ears warmed underneath a hooded sweater. My mind rushes back a dozen winters when the winter sun held so many opportunities for happiness. There were the oranges, peeled and succulent, that I ate with sticky hands; and the naps I took, curled up on an old mattress on the terrace, and a book would slip off my hand as the sun got mellower.

We used to set up a badminton court every winter, and I had a hard time controlling my enthusiasm as I watched the coral coloured net stringed between two bamboo poles, the boundaries marked with chalk powder and even outdoor lights being put up, so that we played badminton late into the night, often after dinner. I was competitive and wanted to keep score, but my sister threw a tantrum every time I insisted on it. She found it an insult to our blood ties, but she was just scared of losing! My youngest uncle was my main competitor and we were ruthless on the court.

My grandmother had a grimy coal stove over which we toasted our feet every night. And as I got into bed, Ma would cover me with a quilt still warm from being sunned on the terrace. Then there were the picnics, but that’s another story.


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I have a writer in the family. How thrilling is that! My jethai (mother’s elder sister) is a powerhouse of talent. She paints, writes, cooks and excels in all three. She was Assam’s first female jailor, then she quit it all to set up her home. She held a paintbrush for the first time after the birth of her son, and then went on to set up her own art school! After her sons left home, she filled up the empty nest with her words. She is a prolific writer and has penned several novels apart from being a regular contributor to newspaper columns. Her book “Karagar’or Diary” (Prison Diary) has been serialized and adapted on screen. I wish that even a fragment of her genius rubs off on me. She taught me it’s never too late to follow your dreams. When I visited her today, she showed me a folder that held few of her paintings and sketches. For her these sketches are just spur-of-the-moment ideas captured on scraps of paper. But I feel they deserve more light than the dark recesses of the old Godrej almirah where they had been tucked in for years. I will put a series of her paintings on my photo blog soon, but here I leave you with a few of them.
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Snippets from the sketchbook of my jethai, Elu Devi Baruah

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Meanwhile I can’t stop listening to this song in a loop, despite having a very vague idea about its meaning. The song grows on you after each hearing. Here’s “Chaudhury” feat Amit Trivedi and Mame Khan.

Smorgasbord: Dating Readers, Ephron’s Neck, Calvino and Me, Being Jane Morris, Birthday Blues, Wedding Whiff

via urban sketchers

I spend a considerable amount of time trying to understand how my words and actions get interpreted, because more often than not people read between the lines for non-existent revelations. I lack the social graces and the ability for small talk; I get nervous when the onus of conversing with strangers or more than one person befalls me. I can’t talk about the weather, the people in front of me might not be readers and that eliminates books as conversation starters, I stare with my eyebrows raised to show interest, my mouth freezes in a half-smile and to heighten the creepiness I check the time every fifteen seconds. My tongue utters sentences that seem alien to my mind, I curse the unbearable length of a minute, I feign nonchalance and tip my head back but tip it further than I intended to and my chin hangs in an awkward thrust towards the ceiling, and heaven forbid if I have food in front of me, my lap is littered with crumbs. The  funny sentences, the smart one-liners, the queries about the pet and the travels, the sympathies about dental work and humidity-assaulted hair, and interesting trivia about Einstein or Madonna come to my mind usually a day after the end of such disastrous conversations. Despite the utmost caution with which I tread in making my point across, I often send innumerable wrong signals. My list of faux pas when it comes to interactions with people other than those in the inner circle of friends and family is longer than Sheldon Cooper‘s failures in detecting sarcasm.

Today I re-read this article about dating ‘a girl who reads‘ that I had read a year earlier. I present an excerpt from the article; it’s a lovely message that only lovers of book lovers will understand thoroughly.

If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.

via Cyril Rolando

Sundays find me awake at a frighteningly early hour and staring bleary eyed at textbooks ranging from medicine to orthopaedics, and later reading the fat weekend newspaper while I eat my breakfast at the pace slower than of a snail finishing a marathon. Then I struggle for a frustrating ten minutes to hide my scalp, the graveyard of my beloved and recently deceased clumps of hair. I drive out of home a few minutes to nine am and on the way I rewind and keep listening to the songs that the iPod throws my way. I appear for a mock test every Sunday morning which I hope will equip me well in preparation for the important exam in January. I get bored of attempting questions after just twenty five minutes and start tapping my foot till the students around me glare disapprovingly. I dash home for the half a day in the week when I have declared a self-imposed ban on my MCQ books; from Sunday noon to midnight this bird is free from its cage. I sweat in anticipation and my hands grow cold as if I’m off for a secret rendezvous with a panting lover hidden in the dark bushes outside my window. I got that from Madame Bovary. I open the novels that had titillated me in stolen pockets of time throughout the week and watch a movie later at night. Twelve hours of pure, unadulterated pleasure and none of it involves a lover or dark chocolate or Disneyland.

I read two books last week Chinua Achebe’s ‘Things Fall Apart‘ and Nora Ephron’s ‘I Feel Bad About My Neck‘, and they were as diverse as they can get. One is set in a Nigerian village towards the end of the nineteenth century and the other is set in  1960s-1990s New York City. One is fiction based on stories the author heard, the other is an essay of womanhood. One is written by a legend of African literature and the other wrote few emotionally-manipulative Hollywood movies that I love so much. One is about drinking palm wine in the first hunted human head and the despise towards a lazy, flute-playing father, the other is about the joy of Julia Child’s cookbook and hiding wrinkled necks in mandarin collars. I loved both the books; but since my week had started on a sad note, Achebe’s grim novel was slightly upstaged by Ephron’s breezy essays about living in the most vibrant city in the world, the woes of ‘maintenance‘ by manicures and blow drys in case one runs into an ex-lover, the stages of parenting etc made me smile more and she won my heart with the sentence ‘Sometimes I think that not having to worry about your hair anymore is the secret upside of death.

 
This weekend I bought three books from Flipkart: Italo Calvino’s ‘If On A Winter’s Night A Traveller‘, Dorothy Parker’s ‘Complete Stories‘ and Julio Cortazar’s ‘Blow Up: And Other Stories‘. I also got Gillian Flynn’s ‘Gone Girl‘ and David Mitchell’s ‘Cloud Atlas‘ on by e-book reader. I am reading Calvino this week because his imaginative novel makes me, the reader, the protagonist!


I make sure to indulge in something sinfully good every week; sometimes it’s poetry by Whitman or Cummings, sometimes it’s a dark chocolate ice-cream, last week it was browsing online for  Pre-Raphealite art by my favorites Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones and John William Waterhouse. I devoured these paintings for hours till I fantasized being Jane Morris with the long honey-coloured curtain of hair and that proud nose and those sensual lips. I was mesmerized by the warm greens and mellow golds in their paintings.

 One of my favorite paintings is by an associate of the Pre-Raphaelite brotherhood, Sir Frederick Leighton; I had an acute case of Stendhal Syndrome when I first saw his ‘Flaming June‘.


Birthdays make me delirious with joy, they are highly over-rated in my world. I become excited on New Year’s Day for my birthday in November! I expect the world to stop spinning for a moment on my birthday to acknowledge its significance in my life. I blame it on my parents. Growing up, birthdays were the most coveted and lavishly celebrated events in an otherwise commonplace childhood in a small town. There were more than five hundred guests, I repeat, five bloody hundred guests on each of my birthdays till I decided I was too grown up to wear a party hat and cut a cake while standing under a tuft of balloons. I missed the mountain of gifts though. I continued celebrating birthdays that ranged from a rowdy get-together of friends with mock stripteases and dangerous truths to quiet dinners with family and a temple visit in the morning. Birthdays rule my life and birthday cynics turn me off. I make sure I don’t let the birthdays of my loved ones be just an ordinary day; I am worse than Leslie Knope of Parks and Recreations determined to celebrate Ron Swanson’s birthday. That’s why the news that this years AIIMS post graduate entrance exam is scheduled for the day after my birthday has caused such an emotional upheaval in my life! I don’t want to study on my birthday, but that’s what I’d probably wind up doing instead of all the good stuff I’d imagined, one of which included a leisurely lunch with my girlfriends who would coincidentally all be in town this November.

But God is kind, and he soothed my bruised heart with a news that made my heart do joyful somersaults. My oldest and ‘best-est’ (yes, I use this word) friend is planning to tie the knot next year and I feel so happy for her and the ‘best-est’ (again!) guy in the world that she has chosen to spend her life with (I told her just now that I am officially in love with him too after hearing about his romantic gestures and old-world, Victorian era gentlemanly concern for her which is so hard to come by nowadays. He is Mr.Darcy or ‘non blind’ Mr.Rochester!).

I will watch a movie now, In The Mood For Love.

Smorgasbord of Rituals

Habit is not mere subjugation, it is a tender tie: when one remembers habit it seems to have been happiness.
–Elizabeth Bowen
Often inadvertent actions slip into unknowing uniformity and turn rituals, but these everyday rituals define us, comfort us and bring a certain order to our lives. I’m not the paragon of self-discipline, and I lack a structured life. Yet certain rituals have osmosed into my life, and remained.
Coffee and Crosswords
I nearly barfed in my mouth when I first tasted jasmine tea served in the lilliputian cups by a stand-in-Chinese waiter; but the taste (or the lack of it) grew on me and this aromatic concoction is on my table every morning now. It’s a part of my morning ritual which includes the following:
  1. Fumbling under my pillow for my phone to check for any messages, hoping for some earth-shattering good news only to find BSNL/Pizza Hut/Tata Photon spamming my inbox.
  2. Two minutes of stupor as I struggle with the decision of acquiring a little more sleep, and as testified by my family this is the most dangerous time of the day to approach me. Civility is clouded by sleep and primitive instincts of violence are sharp.
  3. An unnaturally long walk (or so it seems) to the sink to brush and floss and being startled every time by my the sight of my hair that could nest an Emu.
  4. Drinking jasmine tea (and this time in a cup made for adequately sized humans) in a desperate attempt to replace the caffeine in my veins.
  5. Sitting cross-legged on the divan in the verandah, leafing through the morning newspaper to check the headlines and the crossword, and inhaling lungfuls of recommended daily intake of fresh air.
  6. Dragging my reluctant feet to the study desk where tattered MCQ books lay awaiting me.
 This routine has subtle variations once in a while to include coffee; and on the days I’m charged up about fitness (usually brought about by reading a new issue of Prevention Magazine) it includes an early morning swim/a walk/half an hour on the stationary cycle which on other days serve as a clothes hanger.
Assault of My Eyes
I don’t eat carrots, or spinach. And I read ALL the time. My hawk-eyed parents make sure I study enough hours in preparation for that elusive AIPGE seat. Then I read the books on my ‘to read’ list just about every where; on the pot, while I ‘inhale’ my lunch without taking my eyes off the book, on my way to the gym (on my way back from the gym I usually lay motionless and breathless on the back seat of my car), while waiting in a queue, while waiting for perpetually running late friends (I’m sure they say the same thing about me), at dinner as my parents threaten to snatch the damn book away and in bed before I drift off to sleep (in a ‘dontiya do’ position, which only Assamese readers will understand!).  Once a month I switch off my phone, shut my door, put on a pair of comfortable pajamas, assemble a variety of snacks, get in bed and spend the day in a marathon reading session. But my eyes have miraculously survived this assault so far and been at a respectable -0.25D all these years (I made the ever-obliging and surprisingly mild-mannered ophthalmology post graduate trainees check my vision quite often during my internship).
Notebook Porn or Life’s Witness
I have a notebook fetish. I hoard them, especially the tiny ones with faded yellow pages. I keep a journal even though I am erratic in maintaining it and absolutely love the diaries from ‘Rubber Band’, with their unassuming black cover and smooth white pages with rounded corners. There are doodles, poems, even limericks and declarations of love and of despise interspersed among the mundane details of my day. Every night I furtively glance around for spies lurking behind curtains and sneak out my diary from its hiding place to jot down a brutally honest account of all that I feel, which would lead me to trouble in the courteous world.
Get Me Tokyo!
Recently the armchair traveller in me has been harboring a fascination for Japan and try to watch at least one of the following shows on NHK World every week: “At home with Venetia in Kyoto”, “Takeshi’s Art Beat”, “Somewhere Street”, “Cool Japan” or “Tokyo Eye”. I watch a movie every weekend, mostly world cinema, courtesy of the heaven-sent torrents. I will watch “The Red Violin” tomorrow.
The Secret Life of Monica Geller
Every fortnight I go through an obsessive compulsive cleaning spree that is almost meditative. I neatly fold clothes in my wardrobe and arrange them according to colour, I air the books in my library and the shoes in my closet and clean out disk space and back up the files on my laptop. This particular ritual is equivalent to a spa visit and rejuvenates me.
Of Talking to God And Not Telling My Therapist About It
I’m neither an atheist nor overtly religious. I rarely visit temples, and send my reluctant mother as my proxy to any religious ceremony. I have grown up watching my parents take their wet slippers off after bath, stand in front of the tiny ‘mandir’ at our home, light up a few incense sticks, bow their heads and pray with a devotion so pure that awed me even as a child as did the ritual’s unfailing regularity. I try to replicate such ‘proper’ prayers only before examinations and they are shamelessly need-based. But I have an informal talk with an unspecific and omnipresent ‘God’ daily while lying in the dark and awaiting sleep. I relate the events of the day and point out (for future consideration) how things could have been better, express gratitude for all the good things in my life-acquired ones than those given unasked-and repeated reminders to make sure that the coming day goes without any mishaps for my near and dear ones. I carry a tiny Ganesha idol in my bag everywhere I go. That’s all the religion I have.
The Rest
  • Being the sole custodian of birthdays in the extended family and undertaking the task of wishing them every year.
  • Saving up for winter, the season of books fairs.
  • Playing cards with my parents on rainy evenings and listening to Pa’s uproarious anecdotes.
  • Late night phone calls with my best friend (she does the calling up, I can’t afford hour long international calls) to share the comical indifference of our parents to the idea of marrying off their daughters who will always be 20 year old in their minds.
  • Making perfectly round and spicy omelettes on the rare occasions when I lose my way and end up in the kitchen.
  • Writing in stolen pockets of time.
  • Putting up a Christmas tree (remnant of a missionary school education and overdose of Christmas movies) every year.
  • Packing my suitcase two days before a trip and staring at the clock in a vain attempt to make it move faster by sheer will.
What are the rituals that govern your life?

Where is a good crow when you want to follow one?

A bowl of crisps, rain outside my window, a soft bed and the cinematic pursuit of five nights.
The Color of Paradise (Iranian): A blind boy gifts his grandmother a green hair clip and she lovingly pins it onto her dress, the sisters accept a necklace made out of tin bottle caps and a comb; treasuring the gifts of love thoughtfully selected by one who couldn’t see them. Traipsing around the Iranian countryside, Mohammed’s life is colored by the same joys that occupy the lives of ten year olds. He wonders what lay beyond the forest he couldn’t see but knows is near. He is exasperated by the questionable reading skills of the boys of the local school. His fingers move fast across the notebook in Braille as a curious teacher looks on, and the same fingers study the rhythms of nature. He wonders what the birds talk about, and the call of the woodpecker fascinates him. He touches his sister’s face and is amazed at how much she has grown up in the past year. He adores his grandmother and craves his father’s acceptance and love. He has his moments of grief, breaking down the wall of joy and self-reliance he has created so painstakingly. He doesn’t expect much from this world, but his father does from him. The man’s insistence on a ‘normal’ life free of responsibilities of taking care of a blind child, and hopes of getting re-married bring about a slew of personal tragedies abruptly overthrowing the veiled paradise he inhabited but failed to recognize. It’s a cornerstone of cinematic excellence, yet the end left me in dismay.
My Neighbours, the Yamadas (Japanese): Pimple-faced, overtly self-conscious and perpetually lazy teenager, Noboru, receives a phone call from a girl. Now, that’s a first in his life and also in the family’s collective set of events. Grandmother, mother and sister lives up to their uncontrollable levels of curiosity and eavesdrop shamelessly on the phone conversation.
Grandmother: “Does he have a girlfriend? With his looks?”
Mother: “A real girlfriend?”
Sister: “His face is red!”
Boy tackles the huddle of curious women with a few menacing glances, they cower away. He rushes back to his room.
Mother: “You insulted him, Mother!”
Grandmother: “And you are the paragon of motherhood!!”
 The movie is filled with vignettes of the life of a middle-class family in Japan but rings true for families across the world. The panic of losing their little daughter in a crowded shopping mall, confronting hooligan bikers in their neighborhood, finding the black hole that shelters lost socks, the politics of deciding dinner menu, the fight over the television remote that can shame any Kung Fu enthusiast, the frisky and headstrong grandmother with a disposition for cooking unpronounceable dishes, the ever-frazzled and clumsy mother, the aimless and all knowing teenager, the smart sister, the dynamics of a ‘real’ marriage of a tough and harmonious couple; the movie chronicles what it is like to be a family, cruising on the same boat of Life, and not always steering in the same direction. Witty and endearing, this movie is a delight.
A Separation (Iranian): Sometimes it’s nobody’s fault, but circumstances need only a tiny shove to spiral into the bounds of no return. A dutiful son taking care of his Alzheimer-afflicted father, a wife who needs some fresh air out of a monotonous life, a precocious eleven year old daughter anxious about her parents imminent separation. And then there is the family of the caretaker who is hired to take care of the Alzheimer patient. There is a lapse of duty, a fit of anger, a scuffle and loss of the caretaker’s unborn child. There is anger, legal complications follow, love is tested, distrust ensues and facades fall as each person struggle to hold on to what they dearly love. And just when things settle down to an amiable decision, befitting all involved, mere words destroy it all,  unraveling what binds them together. It’s a slice of life movie with achingly real characters. Sometimes despite every effort, things fall apart. And we wish life wasn’t so complicated. And we wish communication was easy. And even compromise.
How to Make an American Quilt: She followed a crow’s flight at the wake of dawn, wrapped in a quilt to shield against the autumn chill, and true love awaited her at the end of it. Was the crow a symbol? I’m still working on that. Finn is flighty when it comes to completing her Masters thesis, and her boyfriend has just proposed. She accepts because it isn’t an unreasonable age to get married. She goes to live with her grandmother and grandaunt to work on her thesis, and encounters a motley bunch of quilt-makers who are all set to make her wedding quilt. And while Finn struggles with her ideas of the impermanence of marriage, monogamy and the charms of a local boy, the quilt-makers each bring their distinctive pattern into the quilt and the stories behind these quilt patches help Finn course her way through indecisiveness, infidelity and finding love. Six stories of love, loss, passion, tolerance, togetherness, trust and hope. It’s a pleasure to watch the lovely Winona Ryder, and Maya Angelou too (bibliophile hangover). I am always on the lookout for crows now, but where is a good crow when you want to follow one?
 

 
Where is the Friend’s Home? (Iranian): This movie is about a eight year old boy, Ahmed, who accidentally slips in his bench-mate’s copy in his bag and is traumatized by the thought of his bench-mate’s expulsion from school on failing to hand over the homework the next day. The film chronicles his search for his friend’s home in a nearby district and the people he encounters in his search. It is a simple story, nothing superfluous. And this lack of a crowded plot and interesting deviations can be a killjoy for a certain section of audience, but it’s a delight for my heart overflowing with the love for Iranian movies. One gets the feeling of running alongside Ahmed in his quest for his friend’s home. A lovely watch.

Sunday Inertia, Gluttony, Whodunits and Fernweh

Ma asks what I want for breakfast. ‘Something scrumptious’, flashes in my mind in bold,neon Spongebob yellow Comic Sans font. My ‘usual’ breakfast (since a month) has been brown bread, a runny herb omelette and frothy coffee. My weird body clock with its slipshod sleep rhythm and food cravings somehow deduces that it is Sunday, and demands some calorie-laden, scrumptious goodness. But I am averse to dishes that required elaborate planning or waiting time enough for my impatient stomach to digest itself. I want something oily, filling, and quick. And soon I sit down to eat pasta with oodles of sauce while watching the early morning joggers stretch their lithe bodies after a fat-burning run. Show-offs. 7am.
Summer. Sunshine. Sundays. Siestas. This quartet holds true for me. I am quick to blame the weather if I’m caught taking a nap. But I’ve loved these naps even before I first came upon the word ‘siesta’ in Gerald Durrell’s book ‘My Family and Other Animals’; and considering my intense devotion towards this word, I often entertain the thought of being a Corfu inhabitant in a past life. As I sit down to Sunday lunch, I look at the clock and smile contently as in half an hour I will be in bed with a book and try to fight sleep, all the while rooting for the enemy. Rejuvenated after an hour, with replenished vigour, I feel a surging love for everything the world has to offer. But it translates to nothing more than a stretch of my arms and sitting cross-legged on my bed. That burnt some calories, I hope. 2pm.
Books. Five lay on my bedside table. And this weekend I’m reading two of them, John Updike’s ‘My Father’s Tears& Other Stories’ and ‘Great Expectations’ (I had ignored Dickens and most of classic literature in my formative years). After I lost my childhood to comics and adolescence to cheap paperbacks about summer romances (J-17s), blood-thirsty butlers with eye patches (whodunit novels), husbands who don’t YET love their wives or ruthless tycoons tamed by nubile young things (Mills and Boons), I resolved to undo some of the damage and read only ‘good’ books even if it killed me. But to my pleasant surprise I love these ‘good’ (read respectable) books. The whodunit thrillers and heaving bosom romances with lamentable prose were a thing of the past, and I prided myself on this transition. On a whim I decide to check the ebook library on my phone today and the book cover of a distressed lady in a brown coat holding hands with a sinister man in handcuffs catches my eye. It is “The Lodger” by Mrs. Marie Adelaide Belloc Lowndes. Set in 1913 London and inspired by the killings of Jack the Ripper, it tells the story of an old couple (The Buntings) who take in a lodger, but Mrs.Bunting has strong suspicions that their new lodger is the man behind the frequent murders that had been occurring in the cover of the London fog. The novelty of a thriller written in 1913, the psychological complexity and a healthy curiosity that it induces is very engaging, even though I fear a relapse into my previous fascination for racy page turners. But then, who cares? 6pm.
Online. Twitter. Tumblr. Facebook. Google Reader. Just the thought of them exhausts me and after a laconic browse, I single out the content that interests me. I came upon a quirky cartography site, a book review site that also posts beautiful art when they feel like it, and the German word ‘Fernweh’ (which means longing for faraway places, the poetic certainty that things are better elsewhere. I love it. I have it.). 8pm.

I don’t write in my journal today. This is it. My Sunday. In all its inertness, aloofness, and passivity of limbs. I’ll go back to “The Lodger” now. 11pm.

And yes, I found this on Tumblr today. I can’t help smiling.

The Dirty Word

I visited the Sunday Book Bazaar at Daryaganj recently, and I felt faint with excitement at the awe-inspiring treasures in front of me, rows and rows of books scattered in the pavement, waiting to be picked up by readers for less than the price of a cup of coffee. I did what any self-respecting book lover would do, ignored the mortified glare of the people who accompanied me, and sat down at the pavement next to a huge pile of books that included New York Times best-sellers, rare editions with yellowed, well-thumbed pages, translated works from all over the world. I looked sadly at the size of the two totes my sister and I carried; and considered dialling a taxi to take a greater haul home. I added twenty new books to my library that day. And one of them was Joyce Carol Oates’s ‘We Were the Mulvaneys‘.
It’s the saga about a perfect American family; a Dad with a flourishing roofing business, a cheerful Mom who was more of a friend to her children, three talented sons, an angelic daughter, a quaint farmhouse, adorable pets, a bustling social life, devout God-fearing hearts and the happiness of making a perfect little world for themselves, the perfect world of the Mulvaneys. Then ‘it’ happened. The incident. That dirty word. And the world sided with the ‘rapist’. The Mulvaneys fell apart, the family disintegrating gradually, time playing a cruel trick of engraving the hurt deeper each day, the knife turning in their hearts a little more each day. Each individual of the family, Mom, Dad, the three brothers and Marianne Mulvaney herself, the angelic girl to whom ‘it’ happened; were a ‘casualty’ of the incident. They didn’t crumble immediately, but the helplessness and the frustration of justice denied, falling prey to social stigma, disappointment at each other’s reaction to ‘it’; the failure to protect the lovely Marianne, their world, ‘The Mulvaneys’. How it breaks your heart! Knowing the Mulvaneys at such close quarters, having been handed such an intimate view of their lives, their goodness, their love, their perfect life; and the slow destruction of everything they treasured, the love fading behind uneasiness and their misery. Oates’s is at her finest, describing the trauma of this family, turning to obscurity. But time heals the scars, or at least makes them strong enough to endure it.  There is reconciliation, triumph of hope and compassion at the end. But, why? At what cost? Why them? Why anyone at all? It’s fiction, yet it can be anyone. It can be about me, about you. I couldn’t help the tears brimming in my eyes, as I leafed through the final pages of this remarkable book, this moving account of human emotions, flaws and redemption.
And in the evening, I watched Barkha Duttinterview a rape victim of the 2002 Gujrat riots and sat listening to the trials of her family. It’s a ten year old trial of her family fighting for justice, fighting for survival, fighting to bring up two daughters unscathed. The husband’s eyes gleaming with tears as he talked about the troubles they had to face, the threats they had to endure and how they kept it all aside for what is right, what is just.
I remembered the various accounts of sexual abuse I’ve heard through the years. A friend’s sister, who had a problem of bed-wetting till the age of 23, was a victim of incest at the age of 3 years. A neighbour was a victim of marital rape every time she had an argument with her husband. A classmate was groped by few men during a Durga Puja crowd.
Many women. Many stories. A dirty word in their lives; Abuse, Incest or Rape.
It had been coming for a while. I couldn’t see it outright, but the signs were there; creeping along the subconscious, an occasional peek now and then; the dirty word glaring at me from the front page of the newspaper as I nervously flip it over to the light-hearted page 3 gossips, a scene from a TV show-the girl running, thinking ‘will she escape?’ and the helplessness of knowing she won’t; the muted paranoia of letting my sisters go out into the world where unknown dangers lurk at every corner and I’m not there to watch over them every moment; the constant efforts to ‘blend in’, worried of being singled out, of sending any wrong signals, not ‘too quiet, too shy’ any more, as I try being social, to blend in. My mind tries to remind me of ‘it’. There had been too many signs recently; a newspaper headline, TV shows, this book. And I unconsciously shut out these triggers, not dwelling on them out of habit. My memory is remarkable, not in retaining, but in ‘forgetting’, in ‘undoing’, in convincing myself ‘It never happened’, congratulating myself on moving on so effortlessly, dreams and hopes in life still intact, nothing ravaged. My memory saved me, burying unpleasant details, hushing out any voices from the past, those words in the newspaper, that helplessness of the girl running, that muted paranoia.
I too had been through it. I was led to believe I had been lucky. I was ‘only‘ molested. Once that tricky portal of thoughts open, the sentences from my past escape and crowd in, vying for my attention. “Only molested”. “Not raped”. “It could have been worse”. “It happens to every woman at some point of her life”. “Girls get molested in crowded buses every day: a pinch, a rub”. “If you don’t dwell on it, it’s like it never happened”. There are rare times when I wonder how I got so close to being another Marianne Mulvaney, but I didn’t. I escaped; from the bad things that a man can do to a woman. But I had a narrow escape. Was I lucky? Hell, yes. I thank God for sparing me the trauma, and my life. But the questions like “Why did it even have to happen?”, “What could have been?”, “How can my parents not protect me?” still haunts me when I lessen my guard over my subconscious.  Family support and therapy can go a long way, I have heard. I can’t imagine what rape victims must go through; their feelings towards self, towards family and friends, towards society at large, and towards the unfairness of being singled out, disrupting their life’s course; the life that wasn’t supposed to include ‘it’.
My family had supported me through my jittery nervous existence, through the bouts of depression that followed, but I was disappointed that nothing could be done to punish the guilty. I consulted a psychiatrist and all she said was, “so, the lesson is to be cautious. And never to use a shared auto.” And nervous laughter. As if it was a joke. As if we are discussing a trivial matter, as if it was a moral science class in school with a ‘Lesson’ at the end. I knew she couldn’t help me, only I can heal myself and move on. Only I can trick my memory, bring my life back on track, and make up for lost time. I have done it, I don’t think about it anymore. I can write about it now, even though I don’t bring it up in conversations. I can watch the scene of a girl being molested on TV without wincing. I can watch my reflection in the mirror and not feel self-disgust. I can talk to people, chat with friends, fall in love, and enjoy life every moment. Sometimes I am aware of it being a little forced, this determination of mine for an untainted memory. Few aspects will take time to get used to; like to trust someone.
 
It’s still taboo in our society. Sex in movies, live-in relationships, homosexuality etc is being accepted gradually. But the uneasiness of society when dealing with sexual abuse is still prevalent. My heart goes out to those women who have suffered ‘it‘. Not just the street hooligans, there can be a beast lurking in that friendly neighbour, that teacher you idolize, that man sitting next to you on a flight. Who knows? Who can say? Where can a woman be safe? In homes where incest is “not seen”, wife swapping among brothers still prevalent in certain communities, and maintaining family relations triumphs over moral justice? In offices where lewd remarks, sexual harassment-outright or suggested, uncomfortable male gazes prevail and again “not seen”? In a society where news of ‘a woman raped at 1am after a party’ gets out and all one hears is the contempt for the careless woman staying out so late at night and questions about her character? On the streets where a young school girl returning from school is stared down from head to toe by road-side loafers who comment on her breasts and thighs?
  
Who has given men right to abuse a women at whatever time of the day it might be, at however lonely a place it might be, and however skimpy her clothes may be? How can one say ‘she had it coming for her’? How can one violate another person in such a brutal way just because she’s a woman, correction, she has a vagina? Who defines these moral codes? I know I am being too hopeful in wanting a society where a woman’s dignity is never unduly violated just because she’s there, within reach of groping hands.
The best we can hope for now is looking after ourselves and being cautious, fighting for justice, and support victims of such crimes-be it incest, sexual harassment of any sort, molestation or rape.
I pray for a world when this dirty word vanishes from the surface of the earth.

My Autumn: Cottony skies, Ghibli magic, Banned Books, Lemon Cake, Pasta, Phase 3, Basho, Earthquake and Empty Bank

I would always be partial to November, as it gave me to the world and mostly vice versa.  September comes a close second, autumn subtly coloring up my life.
I got a new job. I am not ecstatic about it. It’s a government job (the mere sound of which nearly mars all possibilities of excitement) at a remote corner of Assam. But it’s preferable to studying at home the whole day till my exams in January. It’s just the right pace, 5 hours a day; the puzzle piece that fits into the jigsaw of my exam preparation and the solitude I seek. The place is so remote it’s like the 1920s.  A car passing by on the dusty road becomes the discussion of the day at the market. The people are laid back and “adda” is the widely practiced local sport. Only solace is the unsullied green fields, the trees, cottony skies, the dew-laden mornings; and a pristine solitude.
 September introduced me to Studio Ghibli movies. My breath often forms a solid lump of joy in my chest, as I watch and relish idyllic visuals, marvel at imaginations, and relieve my childhood. I cling to these movies like an oasis of pure, stark joy. I watch them alone on evenings, in my room, on my bed. ‘Grave of the Fireflies’, ‘Whisper of the Heart’, ‘Only Yesterday’, ‘Arrietty’, ‘Howl’s Movng Castle’, ‘Kiki’s delivery Service’, ‘Princess Mononkone’, ‘My neighbor Tortoro’, ‘My neighbours-The Yamadas’, ‘Ponyo’ and ‘Spirited Away’. I don’t rush through them, as I usually do with things that interest me. I am slowly savoring each visual, each word and each feeling that it arouses in me.

Being jobless for a month and half, had a weird effect on me. I went on a spending spree knowing fully well my dwindling finances. I added the color purple to my wardrobe, and made Flipkart.com rich by a dozen books. I have an upcoming exam and can’t afford to indulge in the luxury of reading a dozen novels. But I hoard them. My mother has banned nine of these books from my life till January. Her threat is a real one, a new lock on my library evidence of her resolution. She doesn’t trust me when it comes to a few things in life, and reading novels stealthily tops the list. Many a flashlight had been angrily flung to the floor and sacrificed during my childhood, when my mother discovered it aiding a new novel to keep me awake beyond 3 am. I am 25, I have few bank accounts, I can drive, I can finally cross roads during rush hour, I can eat alone in restaurants, I am a doctor, I can call myself almost an adult; but I dare not defy my mother’s rules when an exam looms in the near horizon. So, the books are banned. Not the MCQ books though.
 My mother is overall a kind woman and I’m her first-born; so she let me choose three novels to read during the three months till January. My mind went into a tizzy, trying to decide which books to choose from the dozen new ones. I chose The naïve and the sentimental novelist” by Orhan Pamuk, “The particular sadness of lemon cake” by Aimee Bender and “Oxford anthology of Writings from North-east India”. I’ve started reading the Aimee Bender book. Beautiful writing. I devote pockets of time throughout the day to it without upsetting my study schedule and most importantly, my mother. I’ve read only a hundred pages till now. It’s about a nine year old girl who can taste in food the emotions of the people who cook it. It agitates her routine life, when she can taste a sad hollowness in her cheerful mother’s lemon cake. The knowledge of facades people erect lurches her forward from her complacent childhood. Aimee Bender’s words are brilliant and effortless; conjuring up images from a nine year old’s perspective. I am looking forward to reading more of it.
 I am a disaster in the kitchen, and so less bothered about my lack of culinary skills, that I stupidly flaunt it. I had a panic attack once when I was asked to boil eggs, because the duration of boiling was as unfathomable to me as the mysteries of life and death. When I was in a hostel, I was a mere bystander when other girls chopped vegetables, measured oil, marinated with spices and cooked delicious dishes that I shamelessly ate. My mother shudders to think what I would cook for my husband after marriage. Maggi noodles and cornflakes, quips my aunt. Then a month ago I read Eat, Pray, Love” by Elizabeth Gilbert. I fell in love with Italy. The food in the book personified and seduced me. Indian meditation and Balinese life balance intrigued me too. But Italy won. Not just the country and the language, even the food. I downloaded apps on my phone to learn Italian verbs, listened to the soundtrack of ‘La Dolce Vita’, and ate Italian food at restaurants. This phase lasted a fortnight. It mellowed down after that, but my ‘Italy’ hangover did the unthinkable. It made me venture into unknown territory within my own home, the kitchen. I cooked. Pastas, frittatas, and a variety of soups. As I skinned and seeded tomatoes, and whiffed the herbs in the soup, I FINALLY discovered the “joy” in cooking. It wasn’t finger-licking good, but after a few mishaps, I can now cook some decent Pasta. My mother thanked her stars at this small start. ‘All hope isn’t lost’.
July saw me falling in love, that went unrequited and September found me making peace with it. It’s Phase 3. After Phase 1 of dazed existence, and Phase 2 of sleepless nights, constant turbulence of thoughts, and brooding about the same person every day; this is a cool, refreshing gulp of air. It has cleansed and calmed me, and has brought back some much needed focus and stability to my life. Getting a grip on my thoughts had been a topsy-turvy and unpleasant ride, but time has worked its magic again. Relief. 
 I also discovered Basho’s Haiku poems in the past month; another delightful discovery this autumn. It appealed to me like no other poetry ever did. I watched “Winter Days”, a short anime movie about visuals from Basho’s haiku poems. I basked in his words. I made a clumsy attempt at writing a few Haiku poems myself too, which are on this blog here and here.
And to round it all up, there had been a 6.8 earthquake on Sunday that literally shook the life out of me for the briefest of moments. It has resulted in a sad loss of life and property in idyllic Sikkim and neighboring areas; not to mention the emotional trauma, fear and alarm that it has caused in the whole of India. I will always remember though that at the precise moment when the ground beneath me shook, I sprouted legs that could run as fast as the wind. I, who am outpaced by my eight year old cousin on long walks, glided downstairs from my second floor flat with my hard drive, phone and folder of school and college certificates in ten seconds flat. I salute my inner runner.
My autumn has just begun…